Music at Merton

Ensembles: Kodály Choir and the Fidelio Orchestra

Music Awards

Each year the College makes awards worth £450 per annum, as a contribution towards the cost of music and instrumental tuition for instrumentalists and singers who study at Merton.

The holders of this year's awards are:

  • Eric McElroy
  • Ruth Hopkins
  • Jamie Cochrane
  • Benedict Roose
  • Alex Smith
  • Jeremy Nohel

Kodály Choir

The Kodály Choir is one of the oldest functioning non-auditioned choirs at Oxford University. In 1960 Kodály himself conducted the choir in the performance of his Te Deum while he was at Oxford to receive an honorary doctorate. The choir rehearses weekly on Fridays 6:00-7:00pm in the Mure Room. Every rehearsal starts with physical and vocal warm-ups and is a great way to relax at the end of the working week. The choir is open to all, regardless of musical ability, and although scores are provided, all music is learnt by ear.

Chamber Choir

The Chamber Choir is a smaller vocal ensemble, new this year, open to staff and student singers with experience singing in choirs. The Chamber Choir rehearses every week 7-8pm on Fridays in the Mure Room after the Kodály Choir, with many members singing in both choirs. The Chamber Choir typically sings unaccompanied madrigals and will be performing as part of our bi-weekly recital series.

Fidelio Orchestra

The Fidelio Orchestra is a friendly and welcoming non-auditioned college orchestra which performs to a good standard. Rehearsing weekly on Mondays, 7:30-8:30pm in the College Chapel, and will be performing in concerts later this year in Hilary and Trinity term.

Merton College Music Society
Merton College Music Society

The Merton College Music Society serves the students, faculty and staff of Merton College and the University of Oxford by supporting a non-auditioned choir and a non-auditioned orchestra, and by producing a bi-weekly series of student and professional recitals. The public concerts and recitals take place in Merton's 13th-century Chapel and the TS Eliot Theatre as well as in the Mure Room, overlooking Rose Lane.


It has been a productive year for the Merton College Music Society, despite the challenges of the past year, thanks to the input of students across all years. Michaelmas 2020 saw the foundation of a new initiative to promote chamber music in College, in which musicians were paired up into several duos and small ensembles. Unfortunately, the implementation of a four-week national lockdown in November made it difficult for ensembles to rehearse and prevented progress with the scheme. Nevertheless, it demonstrated that such a scheme is viable and that there are musicians in College willing to take part. We hope that this will take place again next year, and that ensembles will have the opportunity to perform to an audience.

With most students away from College during Hilary, MCMS was forced to move online, but the society still managed to remain active during this time. Fortnightly social events on Zoom allowed musicians across College to come together and discuss ideas for what the Music Society could do virtually as well as in the future. Particularly pleasing was the creation of two virtual ensemble performances, in which students recorded their parts separately and these were then edited together. The Zoom socials also provided a platform for live online performances and a chance for musicians to share what they had been working on.

For Trinity term, the Music Society decided to put on a virtual concert. A request for contributions was well received and, with many students back in College, the concert was presented by putting up QR codes around College, each taking the viewer to a different recording. The end of term also saw the first in-person recital in the TS Eliot Theatre in a long time, with Eric McElroy (2018) on the piano. The society hopes that the easing of restrictions will allow for further in-person recitals next year and a chance to work with the composer Cheryl Frances-Hoad, the Visiting Research Fellow in the Creative Arts for 2021.

Jamie Cochrane (2019)
MCMS President 2019-20


Michaelmas term 2019 saw the introduction of the College Music Awards, whereby the recipients are contracted to participate in college music, and these musicians participated in recitals and showcases through the two in-college terms. On 19 November, MCMS hosted its Music Showcase in the TS Eliot Theatre. The evening featured a varied programme from college musicians and College Music Award recipients, including ensembles and solo performances, followed by a wine reception. The Showcase is a staple of the MCMS Michaelmas programme and was well attended. There was an attempt to advertise for the college orchestra, Fidelio, with a social held in Mob 1 in fourth week of Michaelmas, but although this was advertised, the event was poorly attended. There are ongoing efforts to revive the college orchestra. Through Michaelmas term there were organ recitals on the Chapel’s Dobson organ on Tuesday lunchtimes, including a performance by our Director of Music. The final event of Michaelmas term was the Kodály Choir Christmas Showcase, where the open-to-all college choir performed at the end of a term’s work in the Chapel.

Hilary term’s main event for MCMS was the musical soirée on 13 February in the TS Eliot Theatre. This was a new addition to the year’s programme. Participation was open to all college performers, including performers from the MCR, as an informal evening of music-making. The concert was preceded by a wine reception. The evening was well attended, and featured an extremely varied programme of instruments, ensembles and performance modes that reflected the rich music-making in College.

There were lunchtime recitals in the TS Eliot Theatre throughout the year, varying in instruments and performers. These recitals continue to be a cornerstone of college music-making, and offer the opportunity for public performance for Merton musicians and students from other colleges. The final recital of the Hilary term recital series was the performance of one of our third-year music students of her finals’ recital programme, and late-Hilary recitals continue to be a useful opportunity for music students to perform their exam programmes in College.

Plans for Trinity term included a continuation of the recital series, as well as an all-female production of Purcell’s Dido and Aeneas. This performance would have taken place in the Chapel on Friday and Saturday of fourth week, and would have been the first opera production for both Merton and MCMS. This production has been postponed indefinitely.

Áine Smith (2018)
MCMS President 2019-20


This past academic year has been an exciting time for the Merton College Music Society, with many students, both Mertonians and not, getting involved with the College’s music-making.

Michaelmas term saw a number of excellent lunchtime recitals in the TS Eliot Theatre, including the Freshers’ Concert, which demonstrated the diverse musical talent of Merton’s new student intake. Hilary term brought with it not only a copious amount of ice and snow (making the Chapel too cold for Fidelio Orchestra to play in at one point), but also the Oxford & Durham Jazz Off – an event that Oxford clearly won – and the MCMS Showcase Concert, giving students from all years a chance to perform in front of the Warden.

Trinity began with a bang as Tom Fetherstonhaugh (2016) and Athena Hawksley-Walker (2016), performed Beethoven’s Violin Sonatas Nos. 5 and 7 live on Radio 3. Furthermore Fidelio Orchestra were given a chance to show off their skills in the College Chapel, playing a selection of movements from Beethoven’s Septet in E-flat major. MCMS’s involvement with Oxford’s a cappella groups continued, with the TS Eliot hosting The Oxford Commas for their annual Trinity Term Concert – an occasion whose smooth running I owe to the brilliant efforts of my Co-President, Lucy Gibbs (2017). I think most who attended would agree that the combined talent of both Kodály Choir and Merton Chapel Choir was displayed fully in this year’s Merton Big Sing; the performance of such choral classics as I was glad and Jerusalem providing a fitting end to the musical events of the term.

Next year, we are very much looking forward to expanding our horizons, while continuing the tradition of lunchtime recitals, with plans to independently organise a selection of larger-scale musical events. Lucy and I would like to thank Ben Nicholas and all the other musicians for their continued involvement and support, and we excitedly await the new talent arriving in October.

Will Thomson (2017)
MCMS Co-President 2017-18