Choir & Organ
March 2016
Cohesive and convincing ... reveals the new Merton organ's affinity with late romantic repertoire.
The first recording of our new Dobson organ—a mixed recital spanning repertoire from Bach and Stanley to Dupré and Messiaen—was designed to demonstrate the instrument’s considerable versatility. But behind the contemporary sophistication of its construction and design, this is essentially an English Romantic organ with a big, warm-hearted personality, securely grounded in the aesthetic traditions of the late 19th century, and this second recording highlights those qualities in music by the composer who pre-eminently shares them: Edward Elgar.
Benjamin Nicholas, Reed Rubin Organist and Director of Music, here proves himself a fine Elgarian and an inventive programmer, coupling Elgar’s two original major works for the organ with three transcriptions – including a first outing on CD for the superb arrangement of the Prelude to The Kingdom made by Herbert Brewer, Elgar’s contemporary and the long-serving organist of Gloucester Cathedral.
Sonata for Organ in G major, Op. 28:
Nimrod (from 'Enigma' Variations, Op. 36) - arranged by William H. Harris
Prelude to 'The Kingdom', Op. 51 - arranged by Herbert Brewer
Gavotte - arranged by Edwin H. Lemare
Vesper Voluntaries, Op. 14:

Choir & Organ
March 2016
Cohesive and convincing ... reveals the new Merton organ's affinity with late romantic repertoire.
Sunday Times
April 2016
A musical and technical achievement ... captivating
Gramophone
May 2016
A typically unfussy and well-balanced selection ... beautifully shaped phrasing ... imaginative brush strokes
Music & Vision
June 2016
An unusual yet wholly recommended Elgar programme, in classy presentation and clear focused sound quality
MusicWeb International Recording of the Month
June 2016
Proudly assertive and delicately sensitive readings ... movingly played
Organists' Review
September 2016
Inspirational playing ... a recording to treasure